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Simon was thrilled to be offered an editor position at a prestigious New York publishing house right out of Harvard, but he’s not off to an auspicious start. First, he had a confrontation with his disgruntled predecessor, who’d been fired for the “indiscretion” of becoming pregnant without being married. And then, his boss assigned him the manuscript: The Vixen, the Patriot, and the Fanatic, a terribly-written bodice ripper that makes a mockery of Ethel Rosenberg.
It has been a year since Ethel was executed for a crime she claimed not to commit. It didn’t matter what she claimed. McCarthyism had the country in its grip, and no one would dare suggest that the country’s most notorious Commie traitors were innocent–especially not Simon, who closely guards the secret that his mother used to live in the same tenement as Ethel. But he can’t shake his disgust at the way the deceased mother of two is portrayed in the novel. Against his better judgment, he decides to seek out the reclusive author, Anya Partridge, who is an inmate at a mental hospital, hoping to convince her to soften her portrayal of Mrs. Rosenberg. Instead, he gets drawn into a torrid affair with the enigmatic author. And when Anya disappears, the mystery she leaves in her wake is full of as much political intrigue as the Rosenberg case itself.
This literary historical novel has an immersive, noir feel that kept me turning pages throughout the slow-boil mystery. Rich characters and difficult moral questions propel a story that lingers long after the final pages. This novel has a classic feel that will appeal to intellectually-minded adult book groups and lovers of literary fiction.