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I received an Advance Reader Copy of this book from the publisher in order to write this review.
It’s been five weeks since Angel’s mother sent her to the live with her uncle in Brooklyn, and Angel knows it’s her own fault. Her fault that she had to leave California. Her fault that her arm is in a sling. Her fault that Darius, the first boy who called her beautiful, the boy who loved her so much he couldn’t help but hurt her, is in jail.
Angel isn’t eager to share her past–or her guilt–with the other girls in her advisory class at her new school or with her teacher, however cool she might seem. But when she rediscovers the poetry of Maya Angelou, which she had loved to read until Darius tore up her book, the words of Angelou and soon other Black artists take root in her soul. And as she confronts the darkness in her past, she begins to open herself up to love: the love of a boy, the love of a friend, the love of her uncle, and most incredibly, the love of herself.
Exquisite poetry and prose intertwine in this uplifting novel about a Black trauma survivor finding herself through the powerful voices of BIPOC artists. Writers like Cisneros, Morrison, and Angelou influence both the character on her journey to becoming a musical artist and the style of narration, a combination of vignettes, poems, and conversations. Browne also surrounds her protagonist with a community of Black women and girls, each with her own developed identity and arc, who flesh out not only the world of the story but the message about the strength, resilience, ingenuity, and above all value of Black girls, despite how society teaches them that they don’t matter or can’t achieve. This book is an essential purchase for any YA collection and an emotional, uplifting literary read for teens and adults.