If you are anything like me and had already read Julia Quinn’s Bridgerton series, halfway through the first episode you had Questions…
Her debut season? A diamond of the first water? Daphne?? And why is Anthony being such a tool about her suitors? (And in general?) And wait–Daphne and Simon don’t like each other? And why is the queen involved in any of this? And who the heck is Marina Thompson? Oh her–but isn’t she…? So why…? WHAT IS HAPPENING?!?
Of course if you are like me, you also believe that “different from the book” does not mean “worse than the book,” so you quit with the comparisons and settled in to enjoy the show on its own merits.
But if you are one of the many Bridgerton viewers who had not read the book, but who watched in the series three times in a row and are now going though Bridgerton withdrawal and wondering if you should get the books… this post is for you!
The answer to your question depends on why you liked the series. So I will give a breakdown of the big picture similarities and differences (NO SPOILERS beyond Episode 1 in case you haven’t finished) so that you have an idea of whether the books will be for you.
If you love Daphne, read the books! She is if anything more lovable. Daphne is in her second season in the Marriage Mart because too many of the “good” men view her as a friend. And though the show plays on the “enemies to lovers” trope, in the books she and Simon are BFFs from the moment they meet (when they bond over Daphne punching a suitor in the face). She has turned down several suitors she wasn’t keen on by the time she meets Simon, and Anthony (who is much more likable in the books) is wholly supportive of her wishes. If he weren’t, she’d punch him in the face…
If you love Simon, you should know that he is less likable in the books. Not that he’s awful, but some of the events that happen in the book were changed slightly but deliberately in the show to make Simon look better. BUT that doesn’t mean you shouldn’t read the books. Each book has a different hero (and heroine) and honestly, Simon and Daphne aren’t my favorite couple. So if you find yourself disgusted with Simon in The Duke and I, you should still read The Viscount Who Loved Me because Anthony and Kate are awesome. (If you don’t like The Viscount Who Loved Me, you probably won’t like the rest either.)
If you love Penelope and Eloise you’ll have to wait for books 4 & 5 or skip ahead. And in the meantime, you might be annoyed at some moments of Eloise as Generic Girly Younger Sister. Don’t worry. She’ll come into her own.
If you love the whole Bridgerton family dynamic, read the books! The in-depth exploration of non-Daphne Bridgerton characters is saved for each of their specific books so don’t expect any subplots from Anthony, Benedict, Eloise, etc., but the camaraderie, affection, and FUN is there from book one. Speaking of which…
If you love the drama, be advised that there is less in the books. There are fewer subplots, and the overall tone is just lighter.
If you love the social commentary, you might like the books. The Netflix series draws on and deepens some themes that are present in the book. For example, the theme of a woman’s options and agency is present in The Duke and I, but Daphne is more confident from the start. Anthony gives Daphne her choice of suitors (acting more as a messenger to turn down proposals as she rejects them); Lady Bridgerton is head of household in all but name and Anthony defers to her; Lady Danbury is never shown as subordinate to anyone. Marina Thompson isn’t in any of the books, (though her absence plays a role in a later book). My point: though the chains of the patriarchy and societal expectations limit and direct the characters’ actions in the book, there is much less straining against the bonds.
But if you love the show specifically because of the alternate history and commentary on racism, give the books a miss. The reinvention of the racial make-up of the ton extrapolated from the historical Queen Charlotte’s possible African ancestry is exclusive to the show. In the books, you will not find the racial overtones that accompany Marina Thompson’s reception by her “elite” relatives or Simon’s view of his position in society. But you will find an occasional (unrepudiated) casual racism from the characters, like this moment in The Duke and I:
“Now look here,” Simon said hotly, “I’m not some sacrificial lamb to be slaughtered on the altar of your mother.”
“You have spent a lot of time in Africa, haven’t you?” Colin quipped.
Though likely historically accurate, such remarks will disappoint readers looking for meaningful commentary on racism either yesterday or today.
Chloe Fong’s greatest ambition is to help her father get revenge on the men who stole his sauce recipe.
That and to forget Jeremy Yu.
It’s been three years since she’s seen or heard from him. So when he shows up for the village’s annual week of games–now, when she and her father are so close to perfecting their new recipe and launching their vengeful sauce empire–her annoyance and heartache crystallizes into fury.
Jeremy knows that if he told Chloe his true identity–the Duke of Lansing, the man with the power to turn her whole community out over decades of unpaid rents–she would want nothing more to do with him. And anyway, how could he ask perfect, ambitious, shy, intimidating, wonderful Chloe Fong to take in the burdens of being a duchess?
But though he’s tried, he can’t live without her. So he enlists her to help him make a list of qualities he will require in a wife. And hopefully by the end of it, she’ll realize that there is only one woman in the world that list could describe.
This historical romance is everything you can expect from Courtney Milan: funny, sexy, layered, and chock full of interesting characters who both challenge and support the heroine and hero. It unfolds at a slower pace than some of Milan’s earlier books, so it may not snag all Brothers Sinister fans, but I personally found it a relaxing comfort read.
Charlotte Holmes is utterly unsuited to marriage. She thrives on intellectual puzzles, little to no conversation, and an unhealthy sweets consumption that frequently leads her perilously close to her Maximum Tolerable Chins; none of this would endear her to the typical Victorian husband. She fended off marriage proposals bravely until her 25th year, under the assumption that her father would honor his promise to pay for her education. When he reneges, she does the only logical thing: renders herself ineligible for marriage through a sexual liaison with an unprincipled and unhappily-married gentleman.
Alas, his domineering mother catches them in the act, and scandal ensues. Charlotte flees her irate parents, only to discover that it is far more difficult than she expected for a “fallen woman” to find work. Furthermore, when the unhappily-married gentleman’s mother winds up dead, Charlotte’s sister becomes implicated in a murder inquiry. With the help of the widowed Mrs. Watson (a middle-aged former actress) and her old friend (and love of her life) Lord Ingram, Charlotte sets out to do what she does best–observe, make conclusions, and solve puzzles that baffle even the most intrepid and clever police inspectors.
Of course no one would believe the deductions of fallen woman and society scandal Miss Charlotte Holmes. The mysterious, bedridden, (entirely fiction) Mr. Sherlock Holmes however….
Sherry Thomas breaks out of the romance genre with a thrilling, funny, well-plotted, and (yes) romantic mystery series with a strong cast of characters and an immersive historical world that will keep readers rapt and turning pages. I read them all, then immediately read them again. Can’t wait for another LADY SHERLOCK book!
Linus takes his job as a case worker investigating orphanages for magical youth very seriously. He does his work thoroughly, accurately, and impersonally. And it’s precisely his thorough, accurate, and impersonal track record that prompts Extremely Upper Management to offer him a temporary, top secret assignment: to spend a month evaluating an exclusive seaside orphanage for extraordinary magical youth (including, among others, the Antichrist). Although initially overwhelmed by the unusual assignment, Linus finds that the magical youth–and their exceptional caretaker, Arthur–are working their way into his heart and threatening his objectivity as a caseworker. And as his impersonal lens cracks, he must question the truths he’s been taught, the morality of his own work, and how far he is personally willing to go for love.
A well-deserved award-winner, THE HOUSE IN THE CERULEAN SEA is a quirky, funny, sweet, thought-provoking social-commentary with equal parts humor and heart. Highly recommend for adults and older teens–anyone who likes stories that are a little weird and a little magical with a healthy dose of undermined social norms and queer romance.
Evvie Drake was leaving Tim. She was literally in the car, her suitcase packed in the trunk, when her phone rang. There had been an accident. Her husband was dead.
One year later, Evvie’s life does not resemble the freedom she imagined she’d find without Tim. Her family and friends think it’s grief, but really it’s something else. Guilt. Guilt for the lack of grief. Guilt that she ever wanted to get away from Tim, who was in everyone else’s eyes, completely and utterly perfect. Guilt for the remote possibility that the universe had known she wanted to escape and had taken the matter into its own hands.
But when she takes in a former all-star baseball pitcher as a lodger, Evvie gradually begins to enjoy life again. Because Dean is full of possibility–new friendship, new project, new distraction. What Evvie doesn’t count on is that in trying to fix Dean’s life, she may have to confront the darkness in her own past and the ghosts Tim left behind.
An engaging contemporary romance, EVVIE DRAKE is a fun read and great book club book for groups that enjoy “women’s fiction.”
At 32, Amelia Peabody is undeniably a spinster–and she intends to stay that way. To escape the host of unwanted and opportunistic suitors that descended after her father’s death, she takes her sizeable inheritance and sets off on a journey to explore the world.
She never gets past Egypt.
When she stops to tour Amarna, she and her companion, Evelyn, learn that the archaeologist Evelyn loves–and his infuriating brother, Emerson–have been hit with a fever. In the course of nursing (the ungrateful) Emerson back to health, Amelia gets swept up in a thrilling mystery involving a (seemingly) animated mummy that will draw her closer to her one true love (Egypt) and the man that unfortunately seems to meet her at every turn.
One if my favorite, favorite book series ever, Amelia Peabody starts out as Victorian romantic suspense, through later books fall solidly in the mystery category. Intentionally over the top, and an inevitable page turner, this is a great, classic read for anyone who loves mystery with a dash of romance or romance with a dash of mystery.
Minnie has worked hard to leave her past behind and carve out a new life for herself. It starts with her new identity: Miss Wilhelmina Pursling, an unfortunate orphan, soon to be engaged to a repulsive but respectable gentleman. But when a local military official accuses her of writing seditionist pamphlets urging workers to unionize, her carefully maintained fiction comes under too much scrutiny. Her only hope is to find and confront the true author of the pamphlets and convince him to either stop writing or confess. But when the author–the handsome, charismatic, kindhearted Duke of Clermont–announces that he plans to combat her attempts at blackmail with an attempt to win her love, Minnie realizes that she may have underestimated her opponent–and her own susceptibility to his charms.
The first of one of my favorite romance quartets (THE BROTHER’S SINISTER), this novel immerses readers in Victorian England and introduces us to a funny, witty, interesting group of friends that will continue to delight us for three more books (plus some novellas). A must-read for historical romance fans!
Claire and Frank are on their honeymoon. Technically, it’s their second honeymoon, but the War came so close on the heels of their marriage, that now they are like strangers. Now that their services to England are complete, this trip to Scotland is a chance to get to know one another again, to rekindle their romance. But when Claire falls through a time portal in a henge, she winds up in the eighteenth century, swept up by a raucous clan and pursued across the moors by Frank’s sadistic ancestor, English officer Jonathan Randall. Though she initially earns her keep at Castle Leoch by sharing her skills as an army nurse, Claire must eventually marry a young Scot named Jamie in order to keep out of Randall’s clutches. And as her relationship with Jamie deepens, Claire begins to lose her resolve to find a way home.
OUTLANDER has everything I love in a novel: humor, romance, suspense, immersive world-building, and deep themes. The contrast between Claire’s “modern” 1940s background and Jamie’s life in the 1700s allows for thoughtful commentary on the shifting nature of love and war as people begin to distance themselves from one another–whether it is the polite distance of Claire and Frank’s marriage or the mechanized distance of bombers and automatic weaponry in the war. Everything in the past timeline, both good and bad, is close and visceral and as much as Claire rejects (for example) the sadism of Randall or the corporal punishment the clans inflict on women and children, the unreserved passion between herself and Jamie (and the closeness of families and clans) binds her to her new life much more fiercely than she initially anticipated.
This novel is difficult to put down, and a great book club book if all of your readers are ok with sex and violence. (As my above expostulations should suggest, it has a thematic purpose and isn’t there gratuitously.) OUTLANDER will appeal to historical romance readers as well as many historical fiction and suspense/thriller readers. The dash of sci-fi/fantasy of the time travel is negligible, so I wouldn’t necessarily plug it to SF/F readers.
Hoping to get back home to his patients ahead of a snowstorm, Ben Payne charters a flight from Salt Lake to Denver and, on a whim, invites the bride-to-be that he met in the terminal, Ashley. She needs to get back home for her rehearsal dinner, and Ben can’t help think of Rachel and how special his own wedding was. They fly out with a chatty pilot and his little dog, only to learn mid-flight that the pilot never filed a flight plan, and the plane is only supposed to seat one passenger. Then, over the frozen mountain wilderness, the pilot has a heart attack. Although Ben and Ashley survive the crash, Ashley’s femur is broken, along with several of Ben’s ribs, and altitude sickness makes their predicament worse. With no one knowing where they are, Ben must use the few provisions they have to survive the snowstorm and drag Ashley down the mountain to safety. Throughout their weeks struggling in the wilderness, Ben composes letters to Rachel on his audio recorder, remembering their relationship and coming to terms with the horrible experience that brought it to an end–as well as the knowledge that, should they survive, his developing feelings for the soon-to-be-married Ashley must also end in heartache.
I really enjoyed this novel. The action of the survival-thriller plot neatly compliments the tragic love story told in flashback. Interestingly, though, it is the suspense of the love story–the desire to find out what happened to Rachel, who is implied at various points to be both dead and alive–that really kept me reading. I’m not sure I would enjoy the new film adaptation, which seems to focus solely on the survival plot. But I would recommend this novel to realistic fiction readers who like action-packed love stories. Although it is literary fiction, romance readers may also find this novel satisfying.
The minute Judge Spencer starts asking about his past, Crawford knows he’s lost. His in-laws will keep custody of Georgia, and his sweet little girl will only see him on weekends. A split second later, a masked gunman enters the courtroom, kills the bailiff, and aims for the judge. Crawford’s Texas Ranger instincts kick in. He tackles Holly Spencer to the ground, shielding her bodily, and kicks out at the gunman, who flees the scene. Crawford follows. After a rooftop shootout, the man with the gun is killed, but no motive can be found. And Crawford’s reckless pursuit has likely sealed the fate of his custody case. But when Crawford goes to Holly’s house to check in on her, things take an unexpected turn as their mutual attraction leads to one amorous encounter after another. Their relationship gets more complicated as Crawford becomes a suspect in the shooting–and it turns out that Holly might not have been the target after all.
This fast-paced romantic suspense novel is marred only slightly by the stereotypical tall-dark-handsome male lead. But his love for his daughter rounds out his character a bit, and the compelling female protagonist makes the relationship more engaging. The sex-at-first-sight is a little ridiculous, but it is not atypical for the genre. Overall, a fun read for romantic suspense fans!